
Musical Director Michael Stewart
Patrons
Ms J Beauchamp,
Ms J Brown,
Mr N Kershaw,
Mr P Ledingham,
Mr M J Montague,
Mr P Newfield,
Dr I Prior
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Good Friday March 21
Music for Holy Week
June 14
A Tudor Compline — Tallis and Sheppard
August 10
Humphrey, Blow and Purcell
October 19
Renaissance Influences II — Howells and the Tudor tradition
December 4
Handel’s Messiah
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Live Performance
Renaissance Influences II — Howells and the Tudor tradition
In a change from our originally advertised programme, The Tudor Consort will perform some of the a cappella ‘Westminster Cathedral’ works of iconic composer Herbert Howells (1892-1983), alongside selected works from Tudor England. We will feature Howells’ Mass in the Dorian Mode, written very much in the same quasi-Renaissance style as the later Mass in g minor of Ralph Vaughan Williams.
$20 / $15 — door sales and online booking *Pre-concert talk at 1.45pm
2pm*, Sunday 19 October
Sacred Heart Cathedral, Hill Street, Wellington
Live Performance
Live Recordings, Essays and Reviews
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Pre-concert talk from Es ist ein Reis entsprungen — Music for Christmas, 15 December 2007
(Microsoft Word document, 42 Kb)
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Gloria
Patri: Magnificat BWV 243 J S Bach (MP3 sound, 2866 Kb)
Recorded live on 30 July 2006 | More MP3s
New Releases
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This album is a collection of live recordings made from performances in Parroquial Church in Ordizia, Spain, and in the beautiful baroque church of Madonna dei Monti in Rome after The Tudor Consort’s tour to Spain and Italy in 2005. This recording includes a New Zealand recording of Alfonso Ferrabosco’s Lamentatione Jeremiae Prophetae for male voices. This recording was prepared for The Tudor Consort’s 20th anniversary. |
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Missa Victimae Paschali Laudes This six-part mass is based on the Easter sequence Victimae Paschali Laudes, a minor mode melody. Treated with a measure of freedom, the melody appears throughout the mass in one of the soprano lines. This mass receives its premiere recording on this release prepared for The Tudor Consort’s 20th anniversary. |
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Cantiones Sacrae Quinis Vocibus “… This is a wonderful choir … conductor Peter Walls understands … the overall period style … and he obviously cares a lot about ensemble balance and uniformity of tone and color” — Classicstoday.com |